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Larghissimo – extremely slow, slowest type of tempo (24 bpm and under) ... Stretto – in a faster tempo, often used near the conclusion of a section.
On occasion a bar may seem like one singular beat. For example, a fast waltz, notated in 3 4 time, may be described as being one in a bar. Conversely, at slow tempos, the beat might even be a smaller note value than the one enumerated by the time signature. [example needed] Mathematically the time signatures of, e.g., 3 4 and 3 8 are ...
Tempo rubato (Italian for 'stolen time'; UK: / ˈ t ɛ m p oʊ r ʊ ˈ b ɑː t oʊ /, US: / r uː-/, [1] [2] Italian: [ˈtɛmpo ruˈbaːto];) is a musical term referring to expressive and rhythmic freedom by a slight speeding up and then slowing down of the tempo of a piece at the discretion of the soloist or the conductor.
A fast, lively, or increased tempo, or played or done in such a tempo; [17] it is also an umbrella term for a quick-paced electronic music style ut (Fr.) First note of the series ut, re, mi, fa, sol, la, si, in fixed-do solmization
Return to previous tempo Fermata: held, stopped, orig. Latin firmo "make firm, fortify" Holding or sustaining a note Grave: grave, solemn: Slow and solemn tempo (slower than largo) Largo: broad: Slow and dignified tempo Largamente: broadly: Slow and dignified tempo Larghetto: broad-ish: Slightly less dignified than largo (so slightly faster ...
Tempo – also known as beats per minute, it's the speed or pace of a given composition. In classical music, tempo is typically indicated with an instruction at the start of a piece, often using conventional Italian, French or German terms. Common tempo markings, from slow to fast:
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The larger the beat value of the meter, the slower the tempo. Therefore, meters with beat values of a minim/half note (e.g. 2 2, 3 2) should be performed with a slow tempo; those with quaver/eighth note beats (e.g. 3 8) are fast; while those with crotchet/quarter note beats (e.g. 2 4, 3 4, 4 4) are performed