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The technology, art, politics, and culture of the 19th century were strongly reflected in the styles and silhouettes of the era's clothing. For women, fashion was an extravagant and extroverted display of the female silhouette with corset pinched waistlines, bustling full-skirts that flowed in and out of trend and decoratively embellished gowns ...
French fashion. Fashion in France is an important subject in the culture and country's social life, as well as being an important part of its economy. [1] Fashion design and production became prominent in France since 15th century. During the 17th century, fashion exploded into a rich industry, for exportation and local consumption. [2]
High fashion and extravagance returned to France and its satellite states under the Directory, 1795–99, with its "directoire" styles; the men did not return to extravagant customs. [5] These trends would reach their height in the classically styled fashions of the late 1790s and early 19th century. [6]
These 1795–1820 fashions were quite different from the styles prevalent during most of the 18th century and the rest of the 19th century when women's clothes were generally tight against the torso from the natural waist upwards, and heavily full-skirted below (often inflated by means of hoop skirts, crinolines, panniers, bustles, etc.). Women ...
picture from Les Français sous la Révolution by Augustin Challamel & Wilhelm Ténint. The Incroyables (French: [ɛ̃kʁwajabl], "incredibles") and their female counterparts, the Merveilleuses (French: [mɛʁvɛjøz], "marvelous women"), were members of a fashionable aristocratic subculture in Paris during the French Directory (1795–1799).
Le Follet belonged to the numerous fashion magazines which from the 1820s onward replaced the previous dominance of Journal des dames et des modes. It was a part of the great industry of French fashion magazines which competed which each other during the 19th-century, many of which became popular not only in France but also internationally.
Charles Frederick Worth (13 October 1825 – 10 March 1895) was an English fashion designer who founded the House of Worth, one of the foremost fashion houses of the 19th and early 20th centuries. He is considered by many fashion historians to be the father of haute couture. [4] [5] Worth is also credited with revolutionising the business of ...
By the mid-1820s, men's fashion plates show a shapely ideal silhouette with broad shoulders emphasized with puffs at the sleevehead, a narrow waist, and very curvy hips. A corset was required to achieve the tiny waistline shown in fashion plates. Already de rigueur in the wardrobes of military officers, men of all middle and upper classes began ...