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The question of whether The Canterbury Tales is a finished work has not been answered to date. There are 84 manuscripts and four incunabula (printed before 1500) editions [4] of the work, which is more than for any other vernacular English literary text with the exception of Prick of Conscience.
The Hengwrt Chaucer manuscript is an early-15th-century manuscript of the Canterbury Tales, held in the National Library of Wales, in Aberystwyth.It is an important source for Chaucer's text, and was possibly written by someone with access to an original authorial holograph, now lost.
Canterbury Tales is a collection of short stories and novellas, written by Harriet Lee and Sophia Lee and published in five volumes from 1797 to 1805. [1] Sophia's contributions consisted of two tales and the narrative introduction to the first volume; the rest of the work is Harriet's, and formed the basis of Harriet Lee's legacy as an author.
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
"The Knight's Tale" (Middle English: The Knightes Tale) is the first tale from Geoffrey Chaucer's The Canterbury Tales. The Knight is described by Chaucer in the "General Prologue" as the person of highest social standing amongst the pilgrims, though his manners and clothes are unpretentious.
The Northumberland MS 455 (fols. 180a-235a), dated c. 1450–70 is the only manuscript containing the Canterbury Interlude and The Tale of Beryn. The Canterbury Interlude and the Tale of Beryn were published along with the other tales in John Urry’s 1721 edition of The Canterbury Tales. Because it is the only manuscript containing these tales ...
It is seen as an important source for efforts to reconstruct Chaucer's original text and intentions, though John M. Manly and Edith Rickert in their Text of the Canterbury Tales (1940) noted that whoever edited the manuscript probably made substantial revisions, tried to regularise spelling, and put the individual Tales into a smoothly running ...
It is not clear whether these are sincere declarations of remorse on Chaucer's part or a continuation of the theme of penitence from The Parson's Tale.It is not even certain if the retraction was an integral part of the Canterbury Tales or if it was the equivalent of a death bed confession which became attached to this his most popular work.