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The literary purpose of conflict is to create tension in the story, making readers more interested by leaving them uncertain which of the characters or forces will prevail. [2] There may be multiple points of conflict in a single story, as characters may have more than one desire or may struggle against more than one opposing force. [3]
The unfortunate has caused a conflict, and the threatener is to carry out justice, but the rescuer saves the unfortunate. Examples: Ifigenia in Tauride, Deliverance; Superman (1941 film) Crime pursued by vengeance. a criminal; an avenger; The criminal commits a crime that will not see justice, so the avenger seeks justice by punishing the criminal.
In narrative, an internal conflict is the struggle occurring within a character's mind. Things such as what the character yearns for, but can't quite reach. As opposed to external conflict, in which a character is grappling some force outside of themself, such as wars or a chain-breaking off a bike, or not being able to get past a roadblock.
A literary feud is a conflict or quarrel between well-known writers, usually conducted in public view by way of published letters, speeches, lectures, and interviews. In the book Literary Feuds, Anthony Arthur describes why readers might be interested in the conflicts between writers: "we wonder how people who so vividly describe human failure (as well as triumph) can themselves fall short of ...
Literary violence has been used, over the course of history, as an allegory of the complexities of human communication and relationships – a representation of unresolved social conflicts. Tales of epic poetry, for instance, have demonstrated the extremes people may commit to remain loyal to and defend their community, especially in a war ...
"Man vs technology" is a type of conflict in fiction, [1] of which The Terminator and The Matrix are popular examples. See also
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
War is a constant and central theme of Claude Simon (1913 – 2005), the French novelist and the 1985 Nobel Laureate in Literature: "It is present in one form or another in almost all of Simon's published works, "Simon often contrasts various individuals' experiences of different historical conflicts in a single novel; World War I and the ...