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The Electro-Voice RE20 is an American professional cardioid dynamic microphone, commonly used in broadcasting applications since 1968. Designed by Electro-Voice using the company's patented Variable-D technology and a large-diaphragm element, it has been described as an industry standard "iconic" microphone for its natural sound and its wide ...
There are a number of well-developed microphone techniques used for recording musical, film, or voice sources or picking up sounds as part of sound reinforcement systems. The choice of technique depends on a number of factors, including: The wish to capture or avoid the collection of extraneous noise.
The modulated light is then transmitted over a second optical fiber to a photodetector, which transforms the intensity-modulated light into analog or digital audio for transmission or recording. Fiber-optic microphones possess high dynamic and frequency range, similar to the best high fidelity conventional microphones.
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Frances Densmore and Blackfoot chief Mountain Chief working on a recording project of the Bureau of American Ethnology (1916). Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects.
The SM7 is one of three very popular microphones in radio and television stations, used by DJs and voice-over announcers. The other two are the American Electro-Voice RE20 (1968) and the German Sennheiser MD 421 (1960). The Sennheiser and Electro-Voice models are used widely on the concert stage and in recording studios. [6]