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Paganini intended the Concerto to be heard in E-flat major: the orchestral parts were written in E-flat, and the solo was written in D major with instructions for the violin to be tuned a semitone high, (a technique known as scordatura) enabling the soloist to achieve effects sounding in E-flat which would not be possible with normal tuning.
Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty. Paganini is said to have been able to play it on one string, but there is no evidence to support or refute this.
The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during ...
This is a list of online digital musical document libraries. Each source listed below offers access to collections of digitized music documents (typically originating from printed or manuscript musical sources). They may contain scanned images, fully encoded scores, or encodings designed for music playback (e.g., via MIDI).
A "register" of the human voice is a series of tones of like quality originating through operation of the larynx. The constituent tones result from similar patterns of vibration in the vocal folds, which can generate several different such patterns, each resulting in characteristic sounds within a particular range of pitches. [1]
Nimrod Borenstein. Concerto for Violin and Orchestra Op. 60 (2013) Hakon Børresen. Violin Concerto in G major, Op. 11 (1904) Henriette Bosmans. Concertstuk, for violin and orchestra (1934) Grave funebre, for violin and orchestra. Violin caprices 5 & 8, for violin and orchestra. Susan Botti.
Scoring. Violin and Orchestra. Premiere. Date. April 24, 1866. (1866-04-24) Max Bruch 's Violin Concerto No. 1 in G minor, Op. 26, is one of the most popular violin concertos in solo violin repertoire [1] and, along with the Scottish Fantasy, the composer's most famous work. It has been recorded often.
The tuning G-D-A-E is used for the great majority of all violin music. However, any number of other tunings are occasionally employed (for example, tuning the G string up to A), both in classical music, where the technique is known as scordatura, and in some folk styles where it is called "cross-tuning." Numerous such tunings exist, often being ...