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Voice leading (or part writing) is the linear progression of individual melodic lines (voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. [1]
"Charleston" rhythm, simple rhythm commonly used in comping. [1] Play example ⓘ. In jazz, comping (an abbreviation of accompaniment; [2] or possibly from the verb, to "complement") is the chords, rhythms, and countermelodies that keyboard players (piano or organ), guitar players, or drummers use to support a musician's improvised solo or melody lines.
literally "with the voice". An instruction, in a choral or orchestral part, that a vocal part should be followed, e.g., play the same notes as the vocal part and accommodate the tempo, expression, etc. of the vocalist coloratura Coloration (i.e. elaborate ornamentation of a vocal line, or a soprano voice that is well-suited to such elaboration)
Vocal harmony is a style of vocal music in which a consonant note or notes are simultaneously sung as a main melody in a predominantly homophonic texture. Vocal harmonies are used in many subgenres of European art music , including Classical choral music and opera and in the popular styles from many Western cultures ranging from folk songs and ...
The choice of, and order of notes in the playing of a chord, which creates a different sound. For example, a C Maj 7 chord played with the voicing "C, E, G, B" (letter names refer to individual pitches that make up the chord) is often considered to sound more "open" than a voicing where the chord is inverted so that some of the chord tones are ...
Since the invention of sound recording, a classical piece or popular song may exist as a recording.If music is composed before being performed, music can be performed from memory (the norm for instrumental soloists in concerto performances and singers in opera shows and art song recitals), by reading written musical notation (the norm in large ensembles, such as orchestras, concert bands and ...
The term is generic, and is not meant to imply that the line should necessarily be vocal in character, instead referring to instrumentation, the function of the line within the counterpoint structure, or simply to register. [3] The historical development of polyphony and part-writing is a central thread through European music history.
Also, prosody can mean how the music supports the connotation, or emotive nature, of a song. Any musical work with a singer, regardless of the genre, requires its composer or songwriter to examine the interplay between the music and the words. For example, the mood of the music typically matches that of the lyrical content: for example, when ...