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The music features parts played with accordion, piano, harpsichord, banjo, bass guitar, vibraphone, and even a bicycle wheel at the end of "La Dispute" [citation needed] (which plays over the opening titles in the motion picture). "Les Jours Tristes", was co-written with Neil Hannon of The Divine Comedy.
Bassline (also known as a bass line or bass part) is the term used in many styles of music, such as blues, jazz, funk, dub and electronic, traditional, and classical music, for the low-pitched instrumental part or line played (in jazz and some forms of popular music) by a rhythm section instrument such as the electric bass, double bass, cello, tuba or keyboard (piano, Hammond organ, electric ...
"5:15" (sometimes written "5.15" or "5'15") is a song written by Pete Townshend of British rock band The Who. Part of the band's second rock opera, Quadrophenia (1973), the song was also released as a single and reached No. 20 on the UK Singles Chart, [3] while the 1979 re-release (accompanying the film and soundtrack album) reached No. 45 on the Billboard Hot 100.
"The Suffering" is a song by American progressive rock band Coheed and Cambria, appearing on the band's third studio album Good Apollo, I'm Burning Star IV, Volume One: From Fear Through the Eyes of Madness. The song was released as the album's second single and had some crossover success, reaching no. 10 on the Billboard Bubbling Under Hot 100 ...
Nathan Tysen (born January 15, 1977) is a Grammy-nominated [1] American songwriter whose musicals have appeared on Broadway and the West End. Musicals with composer Chris Miller include Tuck Everlasting, [2] The Burnt Part Boys, Fugitive Songs, Revival, Dreamland, and The Mysteries of Harris Burdick.
On Taylor Swift's 11th studio album, the songs seem to be bursting with references to Matty Healy. Here, we round them up.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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