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Jazz saxophonists are musicians who play various types of saxophones (alto saxophone, tenor saxophone, baritone saxophone etc.) in jazz and its associated subgenres. The techniques and instrumentation of this type of performance have evolved over the 20th century, influenced by both movements of musicians that became the subgenres and by particularly influential sax players who helped reshape ...
The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for its ability to blend well with the soprano, alto, and baritone saxophones, with its "husky" yet "bright" tone. The tenor sax has been an important solo instrument in jazz music.
Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004) [1] was an American jazz tenor saxophonist, best remembered for his solo on "Flying Home", critically recognized as the first R&B saxophone solo. [2] He is also known as one of the writers of the jazz standard "Don'cha Go 'Way Mad."
Paul Gonsalves (() July 12, 1920 – () May 15, 1974) was an American jazz tenor saxophonist [1] best known for his association with Duke Ellington.At the 1956 Newport Jazz Festival, Gonsalves played a 27-chorus solo in the middle of Ellington's "Diminuendo and Crescendo in Blue," [2] a performance credited with revitalizing Ellington's waning career in the 1950s.
Premier Solo andante et bolero for tenor saxophone and piano (1866)—Jules Demersseman; Brasiliana No. 7 for Tenor Saxophone and Piano (1956)—Radamés Gnattali; Sonata for Tenor Saxophone and Piano (1967)—James Di Pasquale; Sonatina for Tenor Saxophone and Piano (1969/95)—Bertold Hummel; Sonata for Tenor Saxophone and Piano (1974 ...
Plas John Johnson Jr. (/ p l æ z /) (born July 21, 1931) [1] is an American soul-jazz and hard bop tenor saxophonist, probably most widely known as the tenor saxophone soloist on Henry Mancini’s "The Pink Panther Theme". He also performs on alto and baritone sax as well as various flutes and clarinets.
However, tenor sax was his main instrument and Gilmore himself made a huge contribution to Sun Ra's recordings and was the Arkestra's leading sideman, being given solos on almost every track on which he appeared. In the Rough Guide to Jazz, Brian Priestley says: Gilmore is known for two rather different styles of tenor playing.
Coleman Hawkins established the tenor saxophone as a jazz solo instrument during his stint with Fletcher Henderson from 1923 to 1934. Hawkins' arpeggiated , rich-toned, vibrato-laden style was the main influence on swing era tenor players before Lester Young , and his influence continued with other big-toned tenor players into the era of modern ...