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Pyotr Ilyich Tchaikovsky's Trio in A minor, Op. 50, was written in Rome between December 1881 and late January 1882. It is subtitled À la mémoire d’un grand artiste [In memory of a great artist], in reference to Nikolai Rubinstein, his close friend and mentor, who had died on 23 March 1881. It is scored for piano, violin, and cello.
Op. 1 Two Pieces for piano (1867) Scherzo à la russe in B ♭ major; Impromptu in E ♭ minor; Op. 2 Souvenir de Hapsal, 3 pieces for piano (1867) Op. 3 The Voyevoda, opera (1868) Op. 4 Valse-caprice in D major, for piano (1868) Op. 5 Romance in F minor, for piano (1868) Op. 6 6 Romances (1869), including "None but the lonely heart"
Piano Sonata No. 2 (Szymanowski) Piano Sonata No. 3 (Prokofiev) Piano Sonata No. 8 (Mozart) Piano Trio (Ravel) Piano Trio (Tchaikovsky) Piano Trio in A minor (Hill) Piano Trio in A minor (Sibelius) Pomp and Circumstance Marches; Prelude and Fugue in A minor, BWV 543; Prelude in A minor, Op. 51, No. 2 (Scriabin) Prelude No. 3 (Villa-Lobos)
Pages in category "Piano compositions by Pyotr Ilyich Tchaikovsky" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes .
Piano Trio No. 4 Dumky: E minor Opus 90 1891 30 Tchaikovsky Piano Trio A la mémoire d'un grand artiste (In memory of a great artist) A minor Opus 50 1882 29 Ravel Piano Trio: A minor 1914 28 Schubert Octet: F major D803 1824 27 Beethoven String Quartet No. 14: C-sharp minor Opus 131 1826 26 Schumann Piano Quintet: E-flat major Opus 44 1842 25 ...
Alexander Siloti made many piano transcriptions of Bach, most famously his Prelude in B minor based on Bach's Prelude in E minor, BWV 855a. Andrés Segovia was famous for his playing arrangements of Bach works transcribed for classical guitar, such as his very difficult Chaconne from the Violin Partita in D minor.
What is known as the Andante and Finale had its genesis as the slow movement and finale of Tchaikovsky's Symphony in E-flat, a work he started writing in 1892.He abandoned the symphony in December 1892, but after his nephew Bob Davydov chided him, he began reworking it into a piano concerto, his third, which he promised to the French pianist Louis Diémer.
Chromatic mediant from Tchaikovsky's Chant sans paroles, Op. 2, No. 3, mm. 43-45 Play ⓘ. Note ♭ VI in root position and the repeated return to I (D ♭ and F, respectively), characteristic of chromatic mediant root movement. [2] Souvenir de Hapsal consists of three pieces for the piano: [3] Ruines d'un château, E minor; Scherzo, F major