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Sankey records this as the first gospel song he composed (1874). [7] 432: The Handwriting on the Wall: At the feast of Belshazzar and a thousand of his lords: Knowles Shaw: Sankey's arrangement of Shaw's original tune [8] 436: Oh, give thy heart to Jesus: W.O. Cushing: 438: Look not behind thee; O sinner, beware! F.J. Crosby: 444: The Father's ...
"The Gospel Train (Get on Board)" is a traditional African-American spiritual first published in 1872 as one of the songs of the Fisk Jubilee Singers. [2] A standard Gospel song, it is found in the hymnals of many Protestant denominations and has been recorded by numerous artists. The first verse, including the chorus is as follows:
The basis of Albrecht's case is close parallels in autobiographical detail between the poems published by Loeben under his own name and those published by "Goeble". [b] Count Loeben was the son of a high-ranking government official in Protestant Dresden. He originally studied law, but chose to pursue a literary career, publishing novels as well ...
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
The phrase "God helps those who help themselves" is a motto that emphasizes the importance of self-initiative and agency. The phrase originated in ancient Greece as "the gods help those who help themselves" and may originally have been proverbial. It is illustrated by two of Aesop's Fables and a similar sentiment is found in ancient Greek drama.
Ira D. Sankey published his own setting of the words in Gospel Hymns, No. 3 (1878), writing that the words were anonymous. [7] In 1888, Henry S. Burrage listed this hymn as one of those for which Lowry had written the music, but not the lyrics. [8]
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"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...