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Beethoven as portrayed by August von Kloeber in 1818. In 1820, when Beethoven wrote "Abendlied", he was 49 years old. 1820 was a year in which the sorrows of his life (deafness, illness, failure to find a marriage partner) [a] were augmented by the climactic phase of his legal confrontation with his sister-in-law Johanna van Beethoven over custody of his nephew (Johanna's son) Karl.
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the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ 7) any altered notes (e.g. sharp five, or ♯ 5) any added tones (e.g. add2)
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In the minor mode, a common borrowed chord from the parallel major key is the Picardy third. In the major mode, the most common examples of borrowed chords are those involving the ♭, also known as the lowered sixth scale degree. These chords are shown below, in the key of C major. [8]
Whose arm hath bound the restless wave, Who bidd'st the mighty ocean deep Its own appointed limits keep: O hear us when we cry to thee For those in peril on the sea. O Christ, the Lord of hill and plain O'er which our traffic runs amain By mountain pass or valley low; Wherever, Lord, thy brethren go, Protect them by thy guarding hand
Where the Mountains o' Mourne sweep down to the sea. You remember young Peter O'Loughlin, of course, Well, now he is here at the head of the Force. I met him today, I was crossing the Strand, And he stopped the whole street with a wave of his hand. And there we stood talkin' of days that are gone, While the whole population of London looked on.
Thy justice like mountains high soaring above Thy clouds which are fountains of goodness and love. To all life thou givest—to both great and small; In all life thou livest, the true life of all; We blossom and flourish as leaves on the tree, And wither and perish—but nought changeth thee. Great Father of glory, pure Father of light,