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Stella Cartwright was a Scottish muse and lover to a number of Scottish poets. During her lifetime she was sometimes known as 'The Muse of Rose Street' [ 1 ] [ 2 ] and was often seen as part of a group meeting in Milnes Bar in Edinburgh . [ 3 ]
Blanche tells Stella but Stanley lies to his wife and denies Blanche's claim. Weeks later, Stella has Blanche committed to a mental institution at Stanley's insistence. In the original play, Stella refuses to allow herself to believe Blanche (with the support of Eunice Hubbell) and stays with Stanley, although she seems to need to convince herself.
Stella is portrayed as sensual and deferring to the will of her husband. Stanley is prone to fits of rage in which he throws things and hits Stella, who often finds herself taking refuge with upstairs neighbor Eunice Hubbell (who is often abused by her own husband, Steve, as well), only to return to Stanley when he cries for her to take him back.
Stella looks up and points, Stanley appears to be confused. Stella then taps her side of the ice sheet with her tail. Stanley gazes upward and then nods to her, understanding what he can do. As Stella watches, Stanley flies further and further up until he is high enough and then dives towards the ice sheet, breaking it. Stella approaches ...
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Later, Mitch arrives and confronts Blanche about Stanley's claims. She pleads for forgiveness, but Mitch, hurt and humiliated, ends their relationship. Later that night, while Stella's labor continues, Stanley returns from the hospital to sleep. Dressed in a tattered gown, Blanche pretends she is departing on a cruise with an old admirer.
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The first, Dr. Collings, is female and too liberated for Stanley; and the second, Dr. Nash, seems to be more interested in drinking than helping his son. A doctor's suggestion that all women are mad becomes an increasing obsession with Stanley (in parallel with Steve's increasing insanity) culminating in outbursts of offensive misogynistic bigotry.