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The Last Judgment (tempera on panel) is a painting by the Renaissance artist Fra Angelico. It was commissioned by the Camaldolese Order for the newly elected abbot, the humanist scholar Ambrogio Traversari. [1] It is variously dated to c1425, [2] 1425–1430 [3] and 1431. [1]
The Last Judgement (Martin paintings) Last Judgement (Fra Bartolomeo) Last Judgement (Lochner) Last Judgement (Venusti) The Last Judgement Triptych (Klontzas) The Last Judgement (Vasari and Zuccari) The Last Judgment (Bosch, Bruges) The Last Judgment (Bosch, Vienna) The Last Judgment (Fra Angelico, Florence) The Last Judgment (Bosch, Munich)
The Last Judgment and the Annunciation were two of the subjects he most frequently treated. [18] [16] Pope John Paul II beatified Fra Angelico on 3 October 1982, and in 1984 declared him patron of Catholic artists. [6] Angelico was reported to say "He who does Christ's work must stay with Christ always".
In the center, within an arched opening, are Fra Angelico's panel of the Maestà with twelve musician angels. At the front are two shutter panels with further paintings of saints. These are, internally, John the Baptist (left) and John the Evangelist (right); and externally Mark the Evangelist (left) and Saint Peter (right).
Detail from a medieval Doom wall-painting, St Andrew's Church, Chesterton, Cambridge, 15th century Slay Judgement, Fra Angelico, panel painting, 1425–1430 Last Judgement, Stefan Lochner, panel painting, 1435 St Mary's Church, North Leigh, Oxfordshire, 15th century St James's Church, South Leigh, Oxfordshire, 15th century Detail from the 12th-century mural at the Church of St Peter and St ...
The Last Judgment is a triptych by the Early Netherlandish artist Hieronymus Bosch, created after 1482. The triptych is now in the Academy of Fine Arts in Vienna, Austria. The outside of the shutters panel are painted in grisaille on panel, while the inside shutters and the center panel are painted in oil. The left and right panels measure 167. ...
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The Last Judgment at the end of the chapel Charon and his boat of damned souls. The Last Judgment was a traditional subject for large church frescos, but it was unusual to place it at the east end, over the altar. The traditional position was on the west wall, over the main doors at the back of a church, so that the congregation took this ...