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DMG Mori Co., Ltd. is directed by President Masahiko Mori (森雅彦, Mori Masahiko), has a revenue of 3.4 billion Euros and employs 12,626 individuals internationally. [4] [10] The company has a dual headquarters system, with headquarters located in Shiomi, Koto-ku, Tokyo (Global headquarters) and in Nara City, Nara Prefecture.
August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". [ 1 ] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle ) , which chronicle the experiences and heritage of the ...
On 1 October 2013, Gildemeister Aktiengesellschaft became DMG Mori Seiki Aktiengesellschaft. Mori Seiki changed its name to DMG Mori Seiki Company Limited. On the global market, both companies used the DMG MORI brand. On 21 January 2015, the DMG Mori Seiki Aktiengesellschaft signed another cooperation agreement with DMG Mori Seiki Co., Ltd.
Created Date: 8/30/2012 4:52:52 PM
Two Trains Running is a 1990 play by American playwright August Wilson, the seventh in his ten-part series The Pittsburgh Cycle. The play takes place in 1968 in the Hill District, an African-American neighborhood in Pittsburgh, Pennsylvania. It explores the social and psychological manifestations of changing attitudes toward race from the ...
DMG Mori Seiki is the name of two companies: DMG Mori Seiki AG , a German machine tool building company DMG Mori Seiki Co. , a Japanese machine tool building company
The August Wilson Theatre is on 245 West 52nd Street, on the north sidewalk between Eighth Avenue and Broadway, in the Midtown Manhattan neighborhood of New York City, United States. [ 1 ] [ 2 ] The rectangular land lot covers 13,125 sq ft (1,219.4 m 2 ), with a frontage of 130.75 ft (39.85 m) on 52nd Street and a depth of 100 ft (30 m).
Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Century Cycle by August Wilson – that chronicles the 20th-century African-American experience. The play is set in a recording studio in 1920s Chicago, and deals with issues of race, art, religion, and the historic exploitation of black recording artists by white producers.