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Full text Confessio Amantis at Wikisource Confessio Amantis ("The Lover's Confession") is a 33,000-line Middle English poem by John Gower , which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems.
It has been debated by many critics and scholars whether or not sonnet 110 was written about Shakespeare's career in the theater or if the sonnet is a confession of love to an "old friend". The lines in the sonnet could be related to the stage but scholars Virginia L. Radley and David C. Redding disagree stating that sonnet 110 is, "addressed ...
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
Adelaide Anne Procter (30 October 1825 – 2 February 1864) was an English poet and philanthropist.. Her literary career began when she was a teenager, her poems appearing in Charles Dickens's periodicals Household Words and All the Year Round, and later in feminist journals.
Edna Dean Proctor was born September 18, 1829, [4] [a] in Henniker, New Hampshire, her father's family having gone there from Essex County, Massachusetts. [3] Of English ancestry, her father, John Proctor, was a native of Manchester, Massachusetts, and a descendant of John Proctor of England, who came to Ipswich, Massachusetts, in 1635, and whose eldest son, John Proctor, of Salem Village, was ...
In 1959 M. L. Rosenthal first used the term "confessional" in a review of Robert Lowell's Life Studies entitled "Poetry as Confession". [6] Rosenthal differentiated the confessional approach from other modes of lyric poetry by way of its use of confidences that (Rosenthal said) went "beyond customary bounds of reticence or personal embarrassment". [7]
Confessional writing is often non-fictive and delivered in direct, first-person narration. Confessional writing usually involves the divulging and discussion of 'shameful matters', [25] including personal secrets and controversial perspectives in forms such as autobiography, diary, memoir, and also epistolary narratives.
John is wary, thinking his verbal confession is sufficient. As they press him further John eventually signs, but refuses to hand the paper over, stating he does not want his family and especially his three sons to be stigmatized by the public confession. The men argue until Proctor renounces his confession entirely, ripping up the signed document.