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Caravaggio's painting of The Incredulity of Saint Thomas c. 1601–1602 was painted for Vincenzo Giustiniani (Pietro Bellori) and later entered the Royal Collection of Prussia, survived the Second World War unscathed, and is now in the Palais at Sanssouci, Potsdam, Berlin.
The Incredulity of Saint Thomas by Caravaggio, c. 1602. A doubting Thomas is a skeptic who refuses to believe without direct personal experience – a reference to the Gospel of John's depiction of the Apostle Thomas, who, in John's account, refused to believe the resurrected Jesus had appeared to the ten other apostles until he could see and feel Jesus's crucifixion wounds.
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Caravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. [dubious – discuss] The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art ...
The Incredulity of Saint Thomas is one of the most famous paintings by Caravaggio, circa 1601–1602. It entered the Prussian Royal Collection, survived the Second World War unscathed, and can be viewed in the Palais in Sanssouci, Potsdam.
In the story the Apostle Thomas is known as Doubting Thomas. [3] The work of art is a depiction of the historic event. Countless Greek and Italian painters have artistically depicted the dramatic event. Caravaggio created a notable depiction known as The Incredulity of Saint Thomas (Caravaggio). Two works of art are similar to the painting.
An art collector is suing the famed auction house Sotheby's, claiming their experts failed to recognize his painting they sold was a Caravaggio masterpiece worth tens of millions before selling it ...
The paintings in the Contarelli Chapel form a group of three large-format canvases painted by Caravaggio between 1599 and 1602, initially commissioned by Cardinal Matteo Contarelli for the Church of St. Louis of the French (San Luigi dei Francesi) in Rome, and eventually honored after his death by his executors.