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The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
Donatello certainly made drawings, probably especially for reliefs. In the case of his stained glass designs and perhaps other works these were his whole contribution. Vasari claimed to have several in his collection, which he praised highly: "I have both nude and draped figures, various animals which astound anyone who sees them, and other ...
A comparison between the sculpture and that of Marcus Aurelius' equestrian statue shows how closely Donatello looked to classical art and its themes. In this depiction of Marcus Aurelius, the emperor dwarfs his horse, dominating it by size. However, the emperor also has a facial expression of dominance and determination.
Donatello designed the stained-glass window (Coronation of the Virgin) in the drum of the dome (the only one that can be seen from the nave). The funeral monument of Antonio d'Orso (1323), bishop of Florence, was made by Tino da Camaino, the most important funeral sculptor of his time.
Domenico Ghirlandaio, Confirmation of the Rule (detail) - the original Marzocco can be seen on the corner of the palazzo in the background at left, 1480s.. The original that had stood since (perhaps) 1377, and is now lost, appears to have been similar to Donatello's in design, though it was fully gilded and may have crouched over a submissive wolf representing Florence's great rival Siena. [1]
Sculpting The Renaissance will examine the Florentine artist’s ‘innovations, collaborations and inspirations’ within 15th century Italy.
On the other hand, Donatello is considered a great expert in children's themes, especially in the expression of the joy of children (tribunes of the cathedrals of Florence and Prato). In round sculpture Donatello spread the Renaissance portrait of the bust cut horizontally across the chest and not on pedestal (as was customary in Roman sculpture).
The Virgin and Child with Four Angels, also known as the Chellini Madonna, is a bronze roundel by the Florentine artist Donatello in the Victoria and Albert Museum, London. The roundel was given by Donatello to his doctor Giovanni Chellini in 1456.