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The treatment of women's rights in the democratic transition put Spain in line with other European governments of the period. European influence was a positive one in Spain in this period in terms of making sure the discussion about women's rights took place. [16]
The 1960s would begin to see a change in major themes in women's writings, with women beginning to challenge their role in society and to argue more for women's rights. This represented both self-realization in women expressed in fiction and a begin to a return of Republican era thinking about women.
Women in Francoist Spain (1939–1978) were the last generation of women to not be afforded full equality under the 1978 Spanish Constitution. [1] Women during this period found traditional Catholic Spanish gender roles being imposed on them, in terms of their employment opportunities and role in the family.
Francoism professed a strong devotion to militarism, hypermasculinity and the traditional role of women in society. [47] A woman was to be loving to her parents and brothers, faithful to her husband and to reside with her family. Official propaganda confined women's roles to family care and motherhood.
Patriotic songs were sometimes neglected but never mocked as part of this women's music education. Textbooks of this period wrote women out of history, except where they reinforced women's roles as mothers. [13] The Female Labor Baccalaureate was created in 1957 as an adaption of the 1953 Labor Baccalaureate.
Huerta's and Chávez' lasting lesson. Huerta has advocated for civil rights, labor and women for more than 60 years. And in 2012, President Barack Obama honored her with the country’s highest ...
With the renovation of the PSOE executive committee in the period between 1970 and 1974, practices around women's issues remained the same as they had during the past. They did not create any structures to legitimize women's issues. They offered little to women to suggest the socialists were a legitimate force for deal with women's issues. [12]
EDM is notorious for being one of music’s largest boy’s club, with women making up just 11 percent of artists at electronic music festivals in 2015. And in 2014, just 18 percent of EDM labels included women on their rosters .