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The Restoration was an age of poetry. Not only was poetry the most popular form of literature, but it was also the most significant form of literature, as poems affected political events and immediately reflected the times. It was, to its own people, an age dominated only by the king, and not by any single genius.
Wordsworth's ode is a poem that describes how suffering allows for growth and an understanding of nature, [40] and this belief influenced the poetry of other Romantic poets. Wordsworth followed a Virgilian idea called lacrimae rerum , which means that "life is growth" but it implies that there is also loss within life.
The Abbey and the upper reaches of the Wye, a painting by William Havell, 1804. Lines Written a Few Miles above Tintern Abbey is a poem by William Wordsworth.The title, Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, is often abbreviated simply to Tintern Abbey, although that building does not appear within the poem.
Hirsch [46] says that the poem depicts how the "longing for Eternity does not belong to the special province of the Christian imagination but is grounded in nature itself--in the Sunflower as well as in Man". However, Hirsch sees a "spiritual balance" in the poem - "to seek the golden clime beyond is also to follow the golden sun here and now."
A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson (also known as The Sovereignty and Goodness of God) is a 1682 memoir written by Mary (White) Rowlandson, a married English colonist and mother who was captured in 1675 in an attack by Native Americans during King Philip's War. She was held by them for ransom for 11 weeks and 5 ...
15th century Japanese hanging scroll depicting a scene from the Oxherding sequence. Ten Bulls or Ten Ox Herding Pictures (Chinese: shíniú 十牛 , Japanese: jūgyūzu 十牛図 , korean: sipwoo 십우) is a series of short poems and accompanying drawings used in the Zen tradition to describe the stages of a practitioner's progress toward awakening, [web 1] and their subsequent return to ...
Epipsychidion opens with an invocation to Emilia as a spiritual sister of the speaker. He addresses her as a "captive bird" for whose nest his poem will be soft rose petals. He calls her an angel of light, the light of the moon seen through mortal clouds, a star beyond all storms. In a letter of 18 June 1822, Shelley described the work:
I Shall Not Be Moved" (Roud 9134), also known as "We Shall Not Be Moved", is an African-American slave spiritual, hymn, and protest song dating to the early 19th century American south. [1] It was likely originally sung at revivalist camp-meetings as a slave jubilee .