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Waterhouse's design was a Romanesque scheme, [42] loosely based on German religious architecture; [43] Owen was a leading creationist, and felt that the museum served a religious purpose in displaying the works of God. [44] The design was centred around a very large rectangular central hall and a smaller hall to the north. [45]
The timber-framed hall house with great hall, in a late medieval pattern which continued in use in Tudor times, was built for Sir Robert Hesketh in about 1530. The hall, which formed the south wing of the present building, is substantially as built, 46.5 feet (14.2 m) long and 22 feet (6.7 m) wide, with the timbers sitting on a low stone wall.
A reflected ceiling plan (RCP) shows a view of the room as if looking from above, through the ceiling, at a mirror installed one foot below the ceiling level, which shows the reflected image of the ceiling above. This convention maintains the same orientation of the floor and ceilings plans – looking down from above.
The roof may be constructed with bridging lintels of stone, wood or other rigid material such as cast iron, steel or reinforced concrete. There may be a ceiling. The columns may be all the same height or, as in the case of the Great Hypostyle Hall at Karnak, the columns flanking the central space may be of greater height rather than those of the side aisles, allowing openings in the wall above ...
A ceiling can also be the upper limit of a tunnel. The most common type of ceiling is the dropped ceiling, [citation needed] which is suspended from structural elements above. Panels of drywall are fastened either directly to the ceiling joists or to a few layers of moisture-proof plywood which are then attached to the joists. Pipework or ducts ...
The Red Hall in Bourne from about 1620 is still called a hall, but is designed not around a great hall but its staircase. Its hall, at the front door, has rather the nature of a passage leading to the featured staircase at the back of the house. The hall has a ceiling as low as any other in the house.
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