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Maurice Jean Jacques Merleau-Ponty [2] (/ ˈ m ɜːr l oʊ ˈ p ɒ n t i /; French: [moʁis mɛʁlo pɔ̃ti]; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger.
The philosopher A. J. Ayer criticized Merleau-Ponty's arguments against the sense datum theory of perception, finding them inconclusive. He considered Merleau-Ponty's inclusion of a chapter on sexuality surprising, suggesting that Merleau-Ponty included it to give him an opportunity to revisit the Hegelian dialectic of the master and the slave.
Additionally, the parts of a body that move when performing a task are isolated from the rest of her body, which remains immobile. Merleau-Ponty explains that women thus see their bodies as both the subject and object of an action; for example, "women have a tendency to take up the motion of an object coming toward them as coming at them."
"Maurice Merleau-Ponty". Stanford Encyclopedia of Philosophy. O'Brien, Daniel. "Epistemology of Perception". Internet Encyclopedia of Philosophy.
In his 1988 Sterling Award Essay, Thomas Csordas identified two key theorists through which to frame the anthropological paradigm of embodiment: Maurice Merleau-Ponty and Pierre Bourdieu. [4] Merleau-Ponty developed the phenomenological foundations for perception-based embodiment, while Bourdieu's Practice Theory provided the framework for a ...
' Modern Times ') was a French journal, founded by Simone de Beauvoir, Jean-Paul Sartre, and Maurice Merleau-Ponty. Its first issue was published in October 1945. It was named after the 1936 film by Charlie Chaplin. [1]
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It was first used by Maurice Merleau-Ponty [1] (French: invagination) to describe the dynamic self-differentiation of the 'flesh'. It was later used by Rosalind E. Krauss and Jacques Derrida ("The Law of Genre", Glyph 7 , 1980); for Derrida, an invaginated text is a narrative that folds upon itself, "endlessly swapping outside for inside and ...