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Maurice Jean Jacques Merleau-Ponty [2] (/ ˈ m ɜːr l oʊ ˈ p ɒ n t i /; French: [moʁis mɛʁlo pɔ̃ti]; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger.
The philosopher A. J. Ayer criticized Merleau-Ponty's arguments against the sense datum theory of perception, finding them inconclusive. He considered Merleau-Ponty's inclusion of a chapter on sexuality surprising, suggesting that Merleau-Ponty included it to give him an opportunity to revisit the Hegelian dialectic of the master and the slave.
"Maurice Merleau-Ponty". Stanford Encyclopedia of Philosophy. O'Brien, Daniel. "Epistemology of Perception". Internet Encyclopedia of Philosophy.
In his 1988 Sterling Award Essay, Thomas Csordas identified two key theorists through which to frame the anthropological paradigm of embodiment: Maurice Merleau-Ponty and Pierre Bourdieu. [4] Merleau-Ponty developed the phenomenological foundations for perception-based embodiment, while Bourdieu's Practice Theory provided the framework for a ...
Bakewell structures At the Existentialist Café by focusing each chapter on a particular philosopher or period within the existentialist movement, starting by introducing the early existentialists Kierkegaard, Nietzsche, Dostoevsky and Kafka, and then moving on to the lives and philosophies of Heidegger, Husserl, Sartre, Beauvoir, Camus, Karl Jaspers, and Merleau-Ponty.
Embodied cognition is the concept suggesting that many features of cognition are shaped by the bodily state and capacities of the organism. These embodied factors include the motor system, the perceptual system, the bodily interactions with the environment (situatedness), and the assumptions about the world that shape the functional structure of the brain and body of the organism.
It was first used by Maurice Merleau-Ponty [1] (French: invagination) to describe the dynamic self-differentiation of the 'flesh'. It was later used by Rosalind E. Krauss and Jacques Derrida ("The Law of Genre", Glyph 7 , 1980); for Derrida, an invaginated text is a narrative that folds upon itself, "endlessly swapping outside for inside and ...
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