Search results
Results From The WOW.Com Content Network
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
Gamelan angklung [1] Gamelan batel; Gamelan bebonangan; Gamelan beleganjur; Gamelan gambang; Gamelan gambuh; Gamelan gandrung; Gamelan gender wayang; Gamelan gong gede; Gamelan gong kebyar; Gamelan gong luang; Gamelan gong saron; Gamelan gong suling; Gamelan jegog; Gamelan joged bumbung; Gamelan pearjaan; Gamelan pelegongan; Gamelan selunding ...
Sekaha Gong Kusuma Sari (Floral Essence Gamelan Club) Balinese gong kebyar: Traditional, with some modern pieces such as those composed by David Harnish and student composers Bowling Green State University ensemble, directed by Kurt Doles; the director emeritus is David Harnish. The ensemble was founded 1990, replacing an earlier gamelan with a ...
Gamelan (/ ˈ ɡ æ m ə l æ n /; [2] Balinese: ᬕᬫ᭄ᬩᭂᬮ᭄ᬮᬦ᭄; Javanese: ꦒꦩꦼꦭꦤ꧀, romanized: gamelan (in the ngoko register), ꦒꦁꦱ, gangsa (in the krama register); [3] Sundanese: ᮌᮙᮨᮜᮔ᮪) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up ...
Ladrang form on the balugan instruments. GONG = gong ageng Play approximation without colotomy ⓘ The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong. They are important beat-keepers in the colotomic structure of
In Gamelan gong kebyar, Kotekan is usually played on the higher-pitched gangsa and reyong as embellishment to the main melody played on the calung and ugal. The busy upper registers of the gamelan are the domain of the gangsas and reyong. These instruments spin out kotekan, the crackling ornamental fireworks of Balinese music. Kotekan is ...
The ugal is an instrument in the Indonesian gamelan orchestra. It is a bronze metallophone played one handed with a small hammer, often in a dance-like manner. There are usually ten keys, giving a maximum range spanning about two octaves. Like the gangsa and gendér, they are suspended over tuned bamboo resonators.
The gangsa is a metallophone idiophone of the Balinese people of Bali, Indonesia. It is a melodic instrument that is part of a Balinese gamelan gong kebyar.Traditionally, a single gamelan craftsman's workshop would construct, upon commission, a unified and uniquely tuned set of bronze instruments, numbering twenty or more, the sum total of which would constitute a gamelan gong kebyar.