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Some artworks have had their museum label names changed as new art history research emerges [10] or as a modification of an offensive or pejorative name. [11] Curating institutions are responsible for thorough documentation of all title variants, including translations of an artwork title into one or more languages. [12]
The Research Library's Archive and Manuscript collection contains personal papers and records Australian visual art history. Notable holdings include the papers of Maximilian Feuerring, the Grieve Family, Fred Williams, Richard Boulez, Frances Burke, Frances Derham, Marcella Hempel, Helene Kirsova, Bernard Hall, Jan Dunn, Paul Taylor, Pat ...
It particularly applies to works that exist as a smaller part of a larger work. Examples of titles which are quoted but not italicized: Articles, essays, papers, or conference presentation notes (stand-alone or in a collected larger work): "The Dos and Don'ts of Dating Online" is an article by Phil McGraw on his advice site.
Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm: 31.9 x 26.7: National Gallery, London: 113: Grisaille may be fragment of the planned Passion series The Entombment: 1633/1634: Grisaille, panel: 32.1 x 40.3: Hunterian Museum and Art Gallery, Glasgow: 114: Grisaille may be fragment of the planned Passion ...
Oilstick on paper 97 x 95 3/4 in $5.1 million (2013) [37] Private collection 1982 Bronze: Acrylic, gold paint and oil stick on canvas with wooden supports 60 x 60 in $6.6 million (2017) [38] Private collection 1982 Portrait of A-One A.K.A. King: Acrylic, oilstick and marker on canvas with wood supports 72 x 72 3/8 in $11.5 million (2020) [39]
The Frick Art Research Library/NYARC is also a founding member of the Collaborative ART Archive (CARTA). As of 2024, CARTA archives over 1,000 websites across 8 public collections related to art history and contemporary art practice. The library’s Digital Art History program encourages exploration of new, interdisciplinary, and computational ...
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Title Date Technique Dimensions Current Location The Oaks in Winter: 1918 Watercolor unknown unknown. [2] Portrait of Marie Walsh Sharpe: 1921 Oil on canvas 30 x 20 inches Marie Walsh Sharpe Art Foundation, Colorado. [3] The Philosopher: 1922 Oil on paper laid to panel 24 x 18 inches Private collection, [4] formerly the Milwaukee Art Center. [5]