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In art, a title is a word or phrase used to identify and distinguish a particular work of art. These titles can be descriptive, indicative of the content or theme of the work, or they can be more abstract and open to interpretation. Titles can be designated by the artists themselves, or by curators or other third parties, and can affect ...
The Research Library's Archive and Manuscript collection contains personal papers and records Australian visual art history. Notable holdings include the papers of Maximilian Feuerring, the Grieve Family, Fred Williams, Richard Boulez, Frances Burke, Frances Derham, Marcella Hempel, Helene Kirsova, Bernard Hall, Jan Dunn, Paul Taylor, Pat ...
Grisaille, paper on canvas; enlarged by another hand on a panel measuring 31.9 x 26.7 cm: 31.9 x 26.7: National Gallery, London: 113: Grisaille may be fragment of the planned Passion series The Entombment: 1633/1634: Grisaille, panel: 32.1 x 40.3: Hunterian Museum and Art Gallery, Glasgow: 114: Grisaille may be fragment of the planned Passion ...
The following is a list of significant artworks by the American artist Jean-Michel Basquiat (1960–1988), who played a historic role in the rise of street art and neo-expressionism. During his short yet productive career, Basquiat created more than 600 paintings and 1,500 drawings. [ 1 ]
It particularly applies to works that exist as a smaller part of a larger work. Examples of titles which are quoted but not italicized: Articles, essays, papers, or conference presentation notes (stand-alone or in a collected larger work): "The Dos and Don'ts of Dating Online" is an article by Phil McGraw on his advice site.
The Frick Art Research Library/NYARC is also a founding member of the Collaborative ART Archive (CARTA). As of 2024, CARTA archives over 1,000 websites across 8 public collections related to art history and contemporary art practice. The library’s Digital Art History program encourages exploration of new, interdisciplinary, and computational ...
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The CDWA was created by the Art Information Task Force (AITF), which encouraged dialog between art historians, art information professionals, and information providers so that together they could develop guidelines for describing works of art, architecture, groups of objects, and visual and textual surrogates.