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The right image is the same sigil in cuneiform from the Joy of Satan Ministries, a recreation of the sigil of Baphomet incorporated with cuneiform lettering instead of Hebrew to spell out "Satan", and made after Maxine Dietrich's reinterpretation of the ideology of spiritual Satanism. Sigillum Dei (Seal of God) Europe, late Middle Ages
Whereas in Christian doctrine Satan was an enemy of not only god but humanity, in the romantic portrayal he was a brave, noble, rebel against tyranny, a friend to other victims of the all powerful bully, i.e. humans. These writers saw Satan as a metaphor to criticize the power of churches and state and to champion the values of reason and liberty.
The origin of flags is unknown. Some of the earliest known banners come from ancient China to identify different parts of the army. [3] For example, it is recorded that the armies of the Zhou dynasty in the 11th century BC carried a white banner before them, although no extant depictions exist of these banners.
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According to Meyers Konversations-Lexikon of 1897 (under the heading "Banner"), the German Imperial Banner at the time of Henry the Fowler (r. 919–936) and Otto the Great (r. 936–973) depicted the Archangel Michael; at the time of Frederick Barbarossa (r. 1152–90), an eagle; at the time of Otto IV (r. 1198–1215) an eagle hovering over a dragon, and since the time of Sigismund (r. 1410 ...
The Oriflamme was mentioned in the 11th-century ballad the Chanson de Roland (vv. 3093–5) as a royal banner, first called Romaine and then Montjoie. [3] According to legend, Charlemagne carried it to the Holy Land in response to a prophecy regarding a knight possessing a golden lance from which flames would burn and drive out the Saracens. [4]
It stems from post-medieval Christian expansions on the scriptures influenced by medieval and pre-medieval popular mythology. [94] In the Middle Ages there was a great deal of adaptation of biblical material, in the vernacular languages, that often employed additional literary forms like drama to convey important ideas to an audience unable to ...
Satan had minimal role in medieval Christian theology, [147] but he frequently appeared as a recurring comedic stock character in late medieval mystery plays, in which he was portrayed as a comic relief figure who "frolicked, fell, and farted in the background". [147]