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The monad, the word and the idea, belongs to the Western philosophical tradition and has been used by various authors. [3] Leibniz, who was exceptionally well-read, could not have ignored this, but he did not use it himself until mid-1696 when he was sending for print his New System. [4]
In addition to translating and editing primary sources, Loemker also wrote extensively on the historical and intellectual contexts shaping Leibniz’s thought. His work often placed Leibniz in dialogue with developments in science, religion, and political theory in the seventeenth century.
The term monad was adopted from Greek philosophy by modern philosophers Giordano Bruno, Anne Conway, Gottfried Wilhelm Leibniz , John Dee (The Hieroglyphic Monad), and others. The concept of the monad as a universal substance is also used by Theosophists as a synonym for the Sanskrit term " svabhavat "; the Mahatma Letters make frequent use of ...
Thus Leibniz conceives of substance as plural: there is a plurality of singular substances, which he calls monads. Leibniz hence creates a concept of the individual as such, and attributes to it events. There is a universal necessity, which is universally applicable, and a singular necessity, which applies to each singular substance, or event.
German philosopher Gottfried Wilhelm Leibniz concluded that the world was composed of an infinite number of life units called monads (from the Greek monas, meaning "single"). Similar to living atoms, monads are all active and functioning. As there is naturally a hierarchy in nature, monads vary in degrees of intelligence. [7]
In the philosophy of mind, Leibniz's gap is the problem that thoughts cannot be observed or perceived solely by examining brain properties, events, and processes. Here the word "gap" is a metaphor of a subquestion regarding the mind–body problem that allegedly must be answered in order to reach a more profound understanding of qualia, consciousness and emergence.
The Fold: Leibniz and the Baroque (French: Le Pli: Leibnitz et le Baroque) is a book by Gilles Deleuze which offers a new interpretation of the Baroque and of the work of Leibniz. [1] Deleuze argues that Leibniz's work constitutes the grounding elements of Baroque philosophy of art and science.
The term monad comes from the Greek feminine noun monas (nominative singular, μονάς), "one unit," where the ending -s in the nominative form resolves to the ending -d in declension. [ 2 ] Prominent early Christian gnostics like Valentinus taught that the Monad is the high source of the Pleroma , the region of light constituting "the ...