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Written in the aftermath of the disappearance of Rumi’s beloved spiritual teacher, Shams-i Tabrizi, the Divan is dedicated to Shams and contains many verses praising him and lamenting his disappearance. [4] Although not a didactic work, the Divan still explores deep philosophical themes, particularly those of love and longing. [5]
He went out, never to be seen again. It is rumoured that Shams was murdered with the connivance of Rumi's son, 'Ala' ud-Din; if so, Shams indeed gave his head for the privilege of mystical friendship. [56] Rumi's love for, and his bereavement at the death of, Shams found their expression in an outpouring of lyric poems, Divan-e Shams-e Tabrizi ...
Shams-i Tabrīzī (Persian: شمس تبریزی) or Shams al-Din Mohammad (1185–1248) was a Persian [1] Shafi'ite [1] poet, [2] who is credited as the spiritual instructor of Mewlānā Jalāl ad-Dīn Muhammad Balkhi, also known as Rumi and is referenced with great reverence in Rumi's poetic collection, in particular Diwan-i Shams-i Tabrīzī.
A Mughal scribe and Daulat, his illustrator, from a manuscript of the Khamsa of Nizami, one of the most famous Persian diwan collections. In Islamic cultures of the Middle East, North Africa, Sicily [1] and South Asia, a Diwan (Persian: دیوان, divân, Arabic: ديوان, dīwān) is a collection of poems by one author, usually excluding his or her long poems ().
It incorporates a variety of Islamic wisdom, but primarily focuses on emphasizing inward personal Sufi interpretation. In contrast to Rumi's Divan-i Shams-i Tabrizi, the Masnavi is a relatively "sober" text. It explains the various dimensions of spiritual life and practice to Sufi disciples and anyone who wishes to ponder the meaning of life. [8]
The second type of Persian poetry is lyric poetry, such as the ghazals of Hafez, or the spiritual poems in Rumi's collection known as the Diwan-e Shams-e Tabrizi. These tend to be in longer metres, usually of 14 to 16 syllables long, in tetrameter form (i.e. with four feet in each hemistich or half-verse).
The critical edition of Rumi's Diwan-e Shams-e Tabrizi (in 10 volumes) by Forouzanfar is the best edition of the book available to date. [2] [3] The first critical edition of Fihi ma fihi was also done by B. Forouzanfar, which is now well known in the West thanks to the selective translation of A. J. Arberry.
E.G. Browne. Literary History of Persia. (Four volumes, 2,256 pages, and twenty-five years in the writing). 1998. ISBN 0-7007-0406-X; Mohammad Mokhtary Mashhad 1944 – Tehran 2002. Writer of Siavash nameh published by Bonyad-e-Shahnameh. writer of Tarikhe ostorehhay-e-Iran. one of the Persian researchers. Murdered by Islamic regime.