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The heyday of ragtime occurred before sound recording was widely available. Like European classical music, classical ragtime has primarily been a written tradition distributed though sheet music. But sheet music sales ultimately depended on the skill of amateur pianists, which limited classical ragtime's complexity and proliferation.
"Weeping Willow" is a 1903 classic piano ragtime composition by Scott Joplin. It was one of Joplin's simpler and less famous ragtime scores, written during a transitional period in his life, and one of the few pieces that Joplin cut as a piano roll in a 1916 session.
The "Black and White Rag" is a 1908 ragtime composition by George Botsford. [1]The song was recorded widely for both the phonograph and player piano, [2] and was the third ragtime composition to sell over one million copies of sheet music. [3]
When it was published, it was considered significantly more difficult than the average Tin Pan Alley and early ragtime sheet music common at the time. "Gladiolus Rag," a later composition by Joplin, is a developed variant of the "Maple Leaf Rag" showcasing Joplin's increasing musical sophistication, and is usually played at a somewhat slower tempo.
The piece is mostly in G major except for the "C" section, which is in C major, and the "D" section (marked "Brilliant" in the sheet music), which is in D major. Ragtime historians have commented on the harmonic similarity between the "D" section of "Original Rags" and the "A" section of H. O. Wheeler's "A Virginny Frolic" published by Carl ...
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...
"The Entertainer" is a 1902 classic piano rag written by Scott Joplin. [1]It was sold first as sheet music by John Stark & Son of St. Louis, Missouri, [2] and in the 1910s as piano rolls that would play on player pianos. [1]
The sheet music stated that it was the first rag-time two step ever written and was first played by Krell's Orchestra in Chicago although the structure is in the form of a patrol march. Many historians believe that "Mississippi Rag" was more so of a cake walk composition than a ragtime.