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  2. Filigree - Wikipedia

    en.wikipedia.org/wiki/Filigree

    Gold filigree intricate work from Portugal Albanian silver jewellery from 19th and 20th century Sterling dish, filigree work Citrine cannetille-work brooch. Filigree (also less commonly spelled filagree, and formerly written filigrann or filigrene) [citation needed] is a form of intricate metalwork used in jewellery and other small forms of metalwork.

  3. Medieval jewelry - Wikipedia

    en.wikipedia.org/wiki/Medieval_jewelry

    Viking jewelry began rather plainly – with unadorned bands and rings – but quickly developed into intricate and masterful artistry, with a strong preference for silver, unusual in the Middle Ages. The two methods most used by the Vikings were filigree and repoussé. [25]

  4. Yemenite silversmithing - Wikipedia

    en.wikipedia.org/wiki/Yemenite_silversmithing

    Yemenite silver-work is noted for its intricate use of filigree and fine granulation. [2] [6] Jewellery containing a high silver content was called ṭohōr by local Jews, or muḫlaṣ in Arabic, and referred to jewellery whose silver content ranged from 85 to 92 percent, while the rest was copper.

  5. Thetford Hoard - Wikipedia

    en.wikipedia.org/wiki/Thetford_Hoard

    The rings from the hoard. The gold finger-rings could have been worn by either men or women, [10] though the bracelets, and necklaces with pendants were chiefly feminine jewels at this date. Many of the rings display elaborate filigree work, typical of late-Roman taste, and a few

  6. Jewellery - Wikipedia

    en.wikipedia.org/wiki/Jewellery

    Conversely, the jewellery industry in the early 20th century launched a campaign to popularise wedding rings for men, which caught on, as well as engagement rings for men, which did not, go so far as to create a false history and claim that the practice had medieval roots. By the mid-1940s, 85% of weddings in the U.S. featured a double-ring ...

  7. Etruscan jewelry - Wikipedia

    en.wikipedia.org/wiki/Etruscan_jewelry

    Earring decorated with bosses, globule clusters, rosettes and filigree. Stamped gold sheet, 400–300 BC. British Museum. Wreath with ivy leaves and berries, a satyr's head at either end. Gold sheet, artwork, from a tomb near Tarquinia, 400–350 BC. British Museum. Unfortunately the classical era was a period of crisis for the Etruscans.