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"Kawa no nagare no yō ni" (川の流れのように, "Like the Flow of the River") is the last single recorded by Japanese enka singer Hibari Misora, as she died soon after its release in 1989. It was composed by Akira Mitake, with lyrics by Yasushi Akimoto. [2] The single charted at 8th place for more than a year [3] and sold 225,000 copies ...
Hibari Misora (美空 ひばり, Misora Hibari, born Kazue Katō (加藤 和枝, Katō Kazue) May 29, 1937 – June 24, 1989) was a Japanese singer, actress and cultural icon.
Eri Chiemi, who would later become part of the Sannin Musume (Three Girls) trio along with Misora Hibari and Yukimura Izumi, toured the United States in 1953 appearing in a charity concert with the Harry James Orchestra in Los Angeles, and recorded "Gomen nasai" on Federal (catalog No. 12140; 7" vinyl) together with an anonymous "GI Joe" on guest vocals.
The most well-known and beloved performer of enka is Hibari Misora (1937–1989), known as the "Queen of Enka" and "Queen of Shōwa" for the period in which she lived and was celebrated. Misora's song "Yawara", composed by Masao Koga, won the grand prix award at the 1965 Japan Record Award. [36]
"Ōsaka Shigure" is written in Miyako's signature enka style, and the lyrics are about a melancholic woman after a heartbreak. [1] The title is a combination of the city Osaka and "shigure" (時雨), which refers to light rain showers in late autumn and early winter.
Since its first release on record in 1956 in a version sung by Harry Belafonte, the song has been recorded by various other popular singers, including Luis Miguel, Rocío Dúrcal, Perry Como, Miguel Aceves Mejía, Nancy Ames, Hibari Misora, Gaby Moreno, Nana Mouskouri, Julio Iglesias, Shirley Kwan, Lila Downs, Joan Baez (on her album Gracias a ...
"Makkana Taiyō" (Japanese: 真赤な太陽) is a song performed by Hibari Misora and the Blue Comets, and released as a single in 1967. [1] It reached number 1 on the Japanese singles chart according to Billboard, [2] and sold 1.4 million copies. [1] The song has been called "Red Hot Sun" in English. It was written by Nobuo Hara. [3]
Hibari Misora in The Sad Whistle. Hibari after her controversial prepubescent years, was therefore "publicly criticized for her blatant eroticism", and that is when she was offered the leading role in 1949 drama The Sorrowful Whistle by Miyoji Ieki.