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Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Cú Chulainn (/ kuːˈkʌlɪn / koo-KUL-in[1][2] Irish: [kuːˈxʊlˠɪn̠ʲ] ⓘ), is an Irish warrior hero and demigod in the Ulster Cycle of Irish mythology, as well as in Scottish and Manx folklore. [3] He is believed to be an incarnation of the Irish god Lugh, who is also his father. [4][5][6] His mother is the mortal Deichtine, sister of ...
Epona, second or third century AD, from Contern, Luxembourg (Musée national d'art et d'histoire, Luxembourg City) In Gallo-Roman religion, Epona was a protector of horses, ponies, donkeys, and mules. She was particularly a goddess of fertility, as shown by her attributes of a patera, cornucopia, ears of grain, and the presence of foals in some ...
The Mari Lwyd (Welsh: Y Fari Lwyd, [ 1 ] [ə ˈvaːri ˈlʊi̯d] ⓘ) is a wassailing folk custom found in South Wales. The tradition entails the use of an eponymous hobby horse which is made from a horse's skull mounted on a pole and carried by an individual hidden under a sheet. The custom was first recorded in 1800, with subsequent accounts ...
Metalwork stands out in Celtiberian archaeological finds, partly from its indestructible nature, emphasizing Celtiberian articles of warlike uses, horse trappings and prestige weapons. The two-edged sword adopted by the Romans was previously in use among the Celtiberians, and Latin lancea , a thrown spear, was a Hispanic word, according to Varro .
"Macha Curses the Men of Ulster", Stephen Reid's illustration from Eleanor Hull's The Boys' Cuchulainn (1904) Macha (Irish pronunciation:) was a sovereignty goddess [1] [2] of ancient Ireland associated with the province of Ulster, particularly the sites of Navan Fort (Eamhain Mhacha) [3] and Armagh (Ard Mhacha), [4] which are named after her. [5]
Celtic deities. Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities. This image comes from Germany, about 200 AD. Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name ...
Celtic sustenance in the Jura concerns Christmas and the tradition of kissing under the mistletoe, the public almsgiving on New Year's Day near the Cheverie bridge, or the druidic monuments. The costume worn by the men and women of Foncine "imitated, until a few years ago, with a singular accuracy, that of the ancient Celts, as described by ...