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The most prevalent character clown in the American circus is the tramp or hobo clown with a thick five-o'clock shadow and wearing shabby, crumpled garments. When working in a traditional trio situation, the character clown will play "contre-auguste" (a second, less wild auguste), siding with either the white or red clown.
Emmett Leo Kelly was born in Sedan, Kansas on December 9, 1898. His father, Thomas, was a section foreman for the Missouri-Pacific Railroad.While he was still a child, the family moved to Southern Missouri where his father had purchased a farm in Texas County, near the community of Houston, Missouri. [1]
Bill Ballantine (1910–1999) was an American writer and illustrator of circus subjects, as well as a professional clown. A prolific writer, Ballantine contributed circus and travel essays to major magazines. His many stories of circus life appeared in Collier's, Holiday, Harper’s Bazaar, Saturday Evening Post, True, Saga, and Seventeen.
Lou Jacobs in makeup, 1941. Johann Ludwig Jacob (January 1, 1903 – September 13, 1992), professionally known as Lou Jacobs, was a German-born American auguste clown who performed for Ringling Bros. and Barnum & Bailey Circus for more than 60 years.
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Charles D. Chase (1886 – September 26, 1964), known professionally as Charlie Bell, was a circus performer for Ringling Bros. and Barnum & Bailey Circus known for his work in Cecil B. DeMille's The Greatest Show on Earth. Known early in his career as the "world's greatest tumbler," he was part of an acrobatic troupe known as Rice, Bell and ...
Dan Rice (January 23, 1823 – February 22, 1900) was an American entertainer of many talents, most famously as a clown, who was active before the American Civil War. At the height of his career, Rice was a household name. Dan Rice also coined the terms "One Horse Show" and "Greatest Show" while popularizing the barrel-style "French" cuff.
Robert Edmund Sherwood (1864–1946 [1]) was an American circus clown and writer. Sherwood worked in circuses during the period of the late 19th and early 20th centuries and wrote two popular circus memoirs: Here We are Again: Recollections of an Old Circus Clown (1926) and Hold Yer Hosses! The Elephants are Coming! (1932).