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Modern bath, sinks, and walls made of tadelakt. Tadelakt is the traditional coating of the hammams and bathrooms of palaces and riad residences in Morocco. [6] The restoration of riads in Morocco has led to a resurgence in its use. [citation needed] In modern times, it has been used outside. [7]
The chapter on wallpaper was written by Walter Crane. He describes how the wallpapers of Morris were made using pieces of paper thirty-feet long and twenty-one inches wide. (French wallpaper was eighteen inches wide). The design therefore could not exceed twenty-one inches square, unless a double block was used.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Restored historic apartment in the Mouassine Museum, Marrakesh, with examples of carved and painted decoration in wood and stucco. Traditional houses in Morocco are usually centered around a large internal courtyard, the wast ad-dar, and are characterized by a focus on interior decoration rather than on external appearance.
[22] [23] Moroccan geometric woodwork from the 14th to 19th centuries makes use of only 5 wallpaper groups, mainly p4mm and c2mm, with p6mm and p2mm occasionally and p4gm rarely; it is claimed that the "Hasba" (measure) method of construction, which starts with n-fold rosettes, can however generate all 17 groups. [24] Methods of construction
A wall covered in zellīj at the Ben Youssef Madrasa in Marrakesh. Zellij (Arabic: زليج, romanized: zillīj), also spelled zillij or zellige, is a style of mosaic tilework made from individually hand-chiseled tile pieces.
The eastern walls of the city, near Bab Debbagh. Marrakesh was founded in 1070 by Abu Bakr ibn Umar, the early leader of the Almoravids. [1] [2] At first, the city's only major fortification was the Ksar al-Hajjar ("Palace/Fortress of Stone"), a royal citadel built by Abu Bakr to protect the treasury.
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.
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