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Li Bai was also noted as a master of the jueju, or cut-verse. [50] Ming-dynasty poet Li Pan Long thought Li Bai was the greatest jueju master of the Tang dynasty. [51] Li Bai was noted for his mastery of the lüshi, or "regulated verse", the formally most demanding verse form of the times. Watson notes, however, that his poem "Seeing a Friend ...
When his famous relative Li Bai arrived in Dangtu, in his skiff, Li Yangbing was the chief magistrate there; although this governmental service was not what his "heart coveted", [1] and nearing retirement. Li Bai, older than Li Yangbing, became progressively sick, to the point of being a bed-ridden invalid.
Singaporean food critic Wong Ah Yoke visited Bread Street Kitchen twice and "left the table with mixed feelings" on both occasions. In a review for The Straits Times, he remarked that "there are better celebrity-chef restaurants at Marina Bay Sands to dine at" and awarded the food – which he described as "pedestrian fare" – a score of 2.5 out of 5. [3]
Li Bai was an influential poet of the Tang dynasty. Fei hua qing han (simplified Chinese: 飞花轻寒; traditional Chinese: 飛花輕寒; pinyin: Fēi huā qīng hán) is an apocryphal poem falsely attributed to Li Bai, an influential 8th-century Chinese poet.
Facing the Moon: Poems of Li Bai and Du Fu is a collection of English translations of Chinese poetry by the Tang dynasty poets Li Bai and Du Fu, translated by Keith Holyoak. [1] Published in 2007, this bilingual collection includes an introduction to the poets and their work, and a bibliography.
Poet Li Bai (Chinese: 《诗人李白》) is a Chinese-language chamber opera by Guo Wenjing to a libretto by Diana Liao (廖端丽) and Xu Ying (徐瑛) on the subject of the poet Li Bai. [1] It was premiered, with subtitles, 7 July 2007 at the Central City Opera House, Central City, Colorado , directed by Lin Zhaohua, conducted by Ed ...