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The Irish bouzouki (Irish: búsúcaí) [1] is an adaptation of the Greek bouzouki (Greek: μπουζούκι).The newer Greek tetrachordo bouzouki (4 courses of strings) was introduced into Irish traditional music in the mid-1960s by Johnny Moynihan of the folk group Sweeney's Men, who retuned it from its traditional Greek tuning C³F³A³D⁴ to G²D³A³D⁴, a tuning he had pioneered ...
Chord Bible is the generic name given to a variety of musical theory publications featuring a large number of chord diagrams for fretted stringed instruments. The subject matter applies exclusively to chordophones , stringed musical instruments capable of playing more than one note at a time.
Irish: G 3 G 2 •D 4 D 3 •A 3 A 3 •D 4 D 4. Modal D: A 3 A 2 •D 4 D 3 •A 3 A 3 •D 4 D 4. Bouzouki, Octave Mandolin, tenor Mandolin (US), tenor Mandola (UK), Zouk Ireland Irish bouzouki is an octave mandolin with the two lowest courses tuned in octaves instead of unisons. "Modal D" octaves can also be tuned in unisons.
Sweeney's Men broke the mould of Irish music and are credited with starting the folk revival there in the late 1960s. The most famous innovation of Sweeney's Men is probably Moynihan's introduction of the bouzouki , originally a Greek instrument , into Irish music, albeit with a different tuning: GDAD' [ 2 ] : 15 (one octave lower than the open ...
[2]: 38–41 In the same tutor, Irvine's Irish bouzouki tuning (GDAD', [2]: 15 one octave lower than similarly open-tuned mandolin) was also contrasted with the traditional Greek bouzouki tuning (CFAD'). [2]: 5 In a 1985 interview with the American Frets magazine, Irvine had explained the origins of his bouzouki tuning:
The Hornbostel-Sachs system of musical instrument classification defines chordophones as all instruments in which sound is primarily produced by the vibration of a string or strings that are stretched between fixed points.
On the bouzouki the lower-pitched string comes first in these courses, the reverse of most other instruments with octave-paired courses (such as the 12-string guitar, charango or bajo sexto). These 'octave strings' add to the fullness of the sound and are used in chords and bass drones (continuous low notes that are played throughout the music).
Sheets containing only the chord progressions to the song are often called chord charts or chord sheets, to distinguish them from lead sheets. These sheets could be used by the rhythm section instruments to guide their improvised accompaniment and by lead instruments for their improvised solo sections, but since they do not contain the melody, they can be used in performances only by players ...