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A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Smith had his first show in New York City at the Uptown Gallery in 1941. In the decade that followed, Smith moved through preliminary explorations of neo-plasticism and began to paint in a more hard-edge style, typified by geometric lines, curving shapes of color, and the use of tondo (disk-shaped) canvases.
Mark making is the interaction between the artist and the materials they are using. [1] It provides the viewer of the work with an image of what the artist had done to create the mark, reliving what the artist had done at the time. [1] Materiality is the choice of materials used and how it impacts the work of art and how the viewer perceives it ...
Fine art: Use of group theory, self-replicating shapes in art [21] [22] Escher, M. C. 1898–1972: Fine art: Exploration of tessellations, hyperbolic geometry, assisted by the geometer H. S. M. Coxeter [19] [23] Farmanfarmaian, Monir: 1922–2019: Fine art: Geometric constructions exploring the infinite, especially mirror mosaics [24] Ferguson ...
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Moses is a series of three different painted steel statues of geometric shapes, created by Tony Smith. Moses 1/3 is in the John B. Putnam, Jr. Memorial Collection of Sculpture at Princeton University, Moses 2/3 is in the collection of the Seattle Arts Commission; and Moses 3/3 at the Toledo Museum of Art as a gift of Marshall Field's, by ...
Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]
Although the Cubis are abstract works composed of geometric shapes, they are ambiguously figural. For example, the pictured Cubi VI appears to be standing on a pair of crossed legs. Like many of the abstract expressionists , Smith possessed the ability to easily switch between an abstract and figurative style of working.