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From 1950 onwards, magnetic tape quickly became the standard medium of audio master recording in the radio and music industries and led to the development of the first hi-fi stereo recordings for the domestic market, the development of multi-track tape recording for music, and the demise of the disc as the primary mastering medium for sound ...
Altar de Cuerda has a duration of about 28 minutes and is cast in three movements: "Morisco chilango" ("Chilango Moorish") "Canto abierto" ("Open Song") "Maya déco" The title of the first movement refers to Ortiz's Mexico City background (where "chilango" is a slang term used to denote its residents) and Dueñas's Andalusian background; the composer thus combined elements of Latin American ...
The first movement, marked Andantino and commencing in 6/8 meter, opens with a lyrical violin melody to be played sognando (dreamily) and pianissimo (very softly) over viola tremolos. The solo violin is joined in dialogue by the flutes, clarinets, and oboes. [ 12 ]
The tune is played by the solo violin itself before a short codetta ends the exposition section of the opening movement. The opening two themes are then combined in the development section, where the music builds up to the innovative cadenza , which Mendelssohn wrote out in full rather than allowing the soloist to improvise. [ 6 ]
He played himself, stepping in to save a music school for poor children from foreclosure. He later appeared in the film, Carnegie Hall (1947), performing an abridged version of the first movement of Tchaikovsky's Violin Concerto, with the orchestra led by Fritz Reiner. In 1951, he appeared in the film Of Men and Music.
The first movement—allegro molto moderato—begins with a lyrical first subject announced at once by the solo violin, without any orchestral introduction. This movement as a whole has perhaps more the character of a sonata than concerto form. The second movement—andante sostenuto—is introduced by an extended oboe solo.
The first movement is characterized by a series of light, pulsing chords that reappear periodically throughout the movement, with slight variations with each recurrence. The solo violin enters early in the movement playing fairly rapid arpeggios that gradually extend to encompass the full range of the instrument.
Jean-Baptiste Accolay (French pronunciation: [ʒɑ̃ batist akɔlɛ]; 17 April 1833 – 19 August 1900) [1] was a Belgian violin teacher, violinist, conductor, and composer of the romantic period. His best-known composition is his one-movement student concerto in A minor. It was written in 1868, originally for violin and orchestra.