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The story was used as a central theme by Aifric Mac Aodha in her poetry collection Gabháil Syrinx. Samuel R. Delany features an instrument called a syrynx in his science-fiction novel Nova . Syrinx is the name of one of the main characters in the Night's Dawn Trilogy of space opera novels by British author Peter F. Hamilton .
Syrinx ("pipe") Reeds: Naiads: Much like Daphne, Syrinx was a nymph and follower of the goddess Artemis who swore to never marry or have any children. Syrinx caught the attention of the goat-god Pan, who, enamored with her, chased her as she fled. Syrinx, as she reached the river Ladon, begged the river nymphs to help her out.
In Titus Andronicus, the story of Lavinia's rape is drawn from Tereus' rape of Philomela, and the text of the Metamorphoses is used within the play to enable Titus to interpret his daughter's story. [39] Most of Prospero's renunciative speech in Act V of The Tempest is taken word-for-word from a speech by Medea in Book VII of the Metamorphoses ...
Anaxarete sees the dead Iphis, 1602–7 engraving. In Greek mythology, Arsinoë (Ancient Greek: Ἀρσινόη, romanized: Arsinóē, lit. 'elevated-minded' pronounced [arsinóɛː]) is a Cypriot princess who was punished by being turned into stone at the hand of the goddess of love Aphrodite for turning down a potential suitor named Arceophon. [1]
Diana and Actaeon by Titian; the moment of surprise. The myth of Diana and Actaeon can be found in Ovid's Metamorphoses. [1] The tale recounts the fate of a young hunter named Actaeon, who was a grandson of Cadmus, and his encounter with chaste Artemis, known to the Romans as Diana, goddess of the hunt.
Cover of George Sandys's 1632 edition of Ovid's Metamorphosis Englished. This is a list of characters in the poem Metamorphoses by Ovid.It contains more than 200 characters, summaries of their roles, and information on where they appear.
Antoninus' only surviving work is the Metamorphoses (Greek: Μεταμορφώσεων Συναγωγή, Metamorphṓseōn Synagogḗ, lit. ' collection of transformations '), a collection of forty-one very briefly summarised tales about mythical metamorphoses effected by offended deities, unique in that they are couched in prose, not verse.
[1] Apollo and Daphne is an Ancient Greek transformation or metamorphosis myth. No written or artistic versions survive from ancient Greek mythology, so it is likely Hellenistic in origin. [1] It was retold by Roman authors in the form of an amorous vignette.