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The band's popularity began to wane during the late 1960s, but in 1971 they released their first U.S. number one single, "Indian Reservation", a song written by John D. Loudermilk. [2] However, the band did not duplicate the song's success with any subsequent singles, and by 1975 Columbia Records abandoned the group.
The circumstance of their meeting was later referred to in the tongue-in-cheek song "Legend of Paul Revere", recorded by the group. Lindsay joined Revere's band in 1958. Originally called the Downbeats, they changed their name to Paul Revere & the Raiders in 1960 on the eve of their first record release for Gardena Records.
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The album is best known for the title track, which reached No. 1 in the U.S. on July 24, becoming the first and only number-one hit of (Paul Revere &) the Raiders. [2] In Canada, the song peaked at No. 2 for four weeks. The single spent a total of 22 weeks on the Billboard Hot 100 chart.
Goin' to Memphis is the eighth studio album by American rock band Paul Revere & the Raiders.Produced by Chips Moman, with the exception of one song ("Peace of Mind") that was produced by Terry Melcher, the album was released in 1968 and reached number 61 on the U.S. albums chart.
Here They Come! is the third studio album by American rock band Paul Revere & the Raiders and the group's first release on Columbia Records. [2] It was released on May 3, 1965. The first side of the album, produced by Bruce Johnston , features cover songs that were recorded live.
The song peaked at number 18 on the Billboard Hot 100, number 15 on the Cash Box Top 100 Singles chart, and at number 8 on the RPM Top Singles chart. The song was ranked by both Billboard and RPM as the number 95 song of 1969 on their year-end charts. The song was featured on the soundtrack album to Once Upon a Time in Hollywood.
"Louie, Go Home" is a song written by Paul Revere and Mark Lindsay as a sequel after Richard Berry declined their request for a follow-up to "Louie Louie". [2] It was recorded by Paul Revere and the Raiders in 1963 and released in March 1964. The group recorded two versions of the song. The original (with sax opening) was only released as a ...