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The theme of identity was established from the beginning of Angelou's series of autobiographies, with the opening lines in Caged Bird, which "foretell Angelou's autobiographical project: to write the story of the developing black female subject by sharing the tale of one Southern Black girl's becoming". [71]
This elaborated on his themes of identity and assimilation through the narrative of an elderly Japanese immigrant in the US who was born in Korea but later adopted to a Japanese family and remembers treating Korean comfort women during World War II. [4] For this book, Lee received the Asian American Literary Award. [5]
Decolonising the Mind: the Politics of Language in African Literature (Heinemann Educational, 1986), by the Kenyan novelist and post-colonial theorist Ngũgĩ wa Thiong'o, is a collection of essays about language and its constructive role in national culture, history, and identity. The book, which advocates linguistic decolonization, is one of ...
Asian American literature is the body of literature produced in the United States by writers of Asian descent. Since the 1970s, Asian American literature has grown from an emerging category to an established tradition [ 1 ] with numerous works becoming bestsellers [ 2 ] and winning mainstream awards, including the Pulitzer Prize [ 3 ] and the ...
The theme of love also intertwines with the themes of identity and language/reading because all of these themes have the purpose of providing freedom and power in the midst of chaos and control. [2] Liesel's final words in her own written story are "I have hated the words and I have loved them, and I hope I have made them right."
The list was criticized as biased towards English-language books, particularly those published by American authors. [7] Nigerian academic Ainehi Edoro criticized the lack of literature by African authors and the predominance of American literature on the list and called the list "an act of cultural erasure". [8]
How Beautiful the Ordinary: Twelve Stories of Identity is an anthology of LGBTQ short stories for young adults edited by American author Michael Cart. It was first published in 2009. The anthology contains an introduction by Cart, 11 short stories, and one novella by acclaimed lesbian and gay authors. [1] [2] [3]
Therefore, the book does not provide an extensive survey of the historical development of Canada's literature, but an introduction to what is Canadian about Canadian literature for readers as citizens of Canada. [notes 1] In Survival, literature emerges as central to the development of national identity, what she calls a sense of "here".