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Depression ware Pink sunflower patterned depression cake plate Green patterned Depression glass pieces. Depression glass is glassware made in the period 1929–1939, often clear or colored translucent machine-made glassware that was distributed free, or at low cost, in the United States and Canada around the time of the Great Depression.
Known for its soft pink hue and intricate geometric design, Jeannette Adam pink Depression glass was produced between 1932 and 1934. This pattern features elegant floral and scroll motifs found on ...
The glass made by Lancaster Glass Company can also be considered elegant glass, as it went through several finishing processes before being sold. [3] In 1924, the company was acquired by Anchor Hocking, who continued to produce glass under the Lancaster Glass Company name until 1937. After 1937, the Lancaster plant was known as Plant #2, which ...
2016 Poinsettia Bowl This page was last edited on 26 November 2024, at 01:33 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Burmese glass (opaque glass that shades from pink to yellow) Like "Vaseline", the terms "custard" and "jad(e)ite" are often applied on the basis of superficial appearance rather than uranium content. Conversely, "Depression glass" is a general description for any piece of glassware manufactured during the Great Depression regardless of ...
Florence Owens Thompson (born Florence Leona Christie; September 1, 1903 – September 16, 1983) was an American woman who was the subject of Dorothea Lange's photograph Migrant Mother (1936), considered an iconic image of the Great Depression.
The poinsettia (/ p ɔɪ n ˈ s ɛ t (i) ə /; [1] [2] [3] Euphorbia pulcherrima) is a commercially important flowering plant species of the diverse spurge family Euphorbiaceae. Indigenous to Mexico and Central America, the poinsettia was first described by Europeans in 1834.
Carnival glass was made in a wide array of colours, shades, colour combinations and variants. More than fifty have been formally classified. These classifications do not go by the surface colours showing, which can be even more varied, but by the 'base' colours of the glass before application of the iridizing mineral salts.