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In Kabbalah, Adam Kadmon (אָדָם קַדְמוֹן, ʾāḏām qaḏmōn, "Primordial Man") also called Adam Elyon (אָדָם עֶלִיוֹן, ʾāḏām ʿelyōn, "Most High Man"), or Adam Ila'ah (אָדָם עִילָּאָה, ʾāḏām ʿīllāʾā "Supreme Man"), sometimes abbreviated as A"K (א"ק, ʾA.Q.), is the first of Four Worlds that came into being after the contraction of ...
"Kadmon" signifies "primary of all primaries", the first pristine emanation, still united with the Ein Sof. Adam Kadmon is the realm of "Keter Elyon" or "Supernal Crown", lucid and luminous lights (tzachtzachot), the pure but concealed sefirot. Regarding the future emergence of Creation, it represents the divine light with no vessels, the ...
In Mesopotamian mythology, the Cosmic Man archetype is exemplified by the god Marduk, who, after defeating the primordial chaos deity Tiamat, uses her body to create the world. [ citation needed ] In Norse mythology , Ymir is the primeval, hermaphroditic giant whose body was the raw material for the creation of the cosmos, representing the ...
Adam Kadmon is the divine will of Keter and the "plan" of the latent Chokmah within Keter for all subsequent detailed creation in potential. Its anthropomorphic name figuratively denotes that man is both the purpose of creation below and the embodiment on high of the sephirot Divine attributes, not yet manifest.
Adam Kadmon ("Primordial Man" or "Anthropos"), an anthropomorphic term, is the revelation of the divine will for creation after the tzimtzum. Its paradoxical nature is expressed as both Adam (creation) and Kadmon ("primary" divinity). As the will of Keter, it is pure light, with no vessels, bounded by its future potential to create vessels.
Akudim (עֲקוּדִים in Hebrew) is the first world to result from Adam Kadmon ("Primordial Man"). Sfirot (Heavenly Attributes, depicted as lights) emanating from the eyes, ears, nose, mouth and forehead of Adam Kadmon interact with each other to create three sequential "worlds" containing combinations of fundamental heavenly attributes ...
The tree represents a series of divine emanations of God's creation itself ex nihilo, the nature of revealed divinity, the human soul, and the spiritual path of ascent by man. In this way, Kabbalists developed the symbol into a full model of reality, using the tree to depict a map of creation. [26]
In the indefinite form ("son of Adam", "son of man", "like a man") used in the Hebrew Bible, it is a form of address; or it contrasts humans with God and the angels; or it contrasts foreign nations (like the Sasanian Empire and Babylon), which are often represented as animals in apocalyptic writings (bear, goat, or ram), with Israel which is ...