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The banker and political writer Horace Smith spent the Christmas season of 1817–1818 with Percy and Mary Shelley.At this time, members of their literary circle would sometimes challenge each other to write competing sonnets on a common subject: Shelley, John Keats and Leigh Hunt wrote competing sonnets about the Nile around the same time.
1821 title page, Pisa, Italy. Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (/ ˌ æ d oʊ ˈ n eɪ. ɪ s /) is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. [1]
Percy Bysshe Shelley (/ b ɪ ʃ / ⓘ BISH; [1] [2] 4 August 1792 – 8 July 1822) was an English writer who is considered one of the major English Romantic poets. [3] [4] A radical in his poetry as well as in his political and social views, Shelley did not achieve fame during his lifetime, but recognition of his achievements in poetry grew steadily following his death, and he became an ...
The sonnet was a popular form of poetry during the Romantic period: William Wordsworth wrote 523, John Keats 67, Samuel Taylor Coleridge 48, and Percy Bysshe Shelley 18. [1] But in the opinion of Lord Byron sonnets were “the most puling, petrifying, stupidly platonic compositions”, [ 2 ] at least as a vehicle for love poetry, and he wrote ...
"Ozymandias" (/ ˌ ɒ z ɪ ˈ m æ n d i ə s / OZ-im-AN-dee-əs) [1] is the title of a sonnet published in 1818 by Horace Smith (1779–1849). Smith wrote the poem in friendly competition with his friend and fellow poet Percy Bysshe Shelley.
John Keats (31 October 1795 – 23 February 1821) was an English poet of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley.His poems had been in publication for less than four years when he died of tuberculosis at the age of 25.
The Keats–Shelley Memorial House is a writer's house museum in Rome, Italy, commemorating the Romantic poets John Keats and Percy Bysshe Shelley.The museum houses one of the world's most extensive collections of memorabilia, letters, manuscripts, and paintings relating to Keats and Shelley, as well as Byron, Wordsworth, Robert Browning, Elizabeth Barrett Browning, Oscar Wilde, and others.
The work was popular, brought new readers to both Keats and Shelley, and set a model for later collections of poetry popular during the Victorian period. [9] A review in the December 1819 Blackwood's Edinburgh Magazine claimed, "we propose now doing a truly wonderful thing-namely, in good earnest to laud a production of Mr Leigh Hunt's [...] is a very clever and cunning contrivance.