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The solos were respectively named "Here It Is!", "Drumbastica," and "The Percussor – (I) Binary Love Theme / (II) Steambanger's Ball" on the tour's live album/DVD release. "The Percussor" is a mainly electronic drum solo dominated by the sounds of triggered samples assigned to many parts of Peart's kit.
Krupa appeared on six recordings by the Thelma Terry band in 1928. In December 1934, he joined Benny Goodman's band, where his drum work made him a national celebrity. [1] His tom-tom interludes on the hit "Sing, Sing, Sing" were the first extended drum solos to be recorded commercially. [7]
"Moby Dick" is an instrumental drum solo by English rock band Led Zeppelin, featured on the band's 1969 album Led Zeppelin II. Named after the 1851 novel of the same name by Herman Melville, it was also known by the alternative titles "Pat's Delight" (early 1968–1969 version with completely different guitar riff) and "Over the Top" (with "Out on the Tiles" intro section and original closing ...
Ronald Lee Wilson (June 26, 1944 [citation needed] – May 12, 1989) was an American musician and recording artist, best known as an original member and drummer of The Surfaris, an early surf music group of the 1960s. Wilson's energetic drum solo on "Wipe Out" (a #2 US/#5 UK hit) made it one of the best-known instrumental songs of the period.
The single spent a grand total of 30 weeks on the Hot 100. Wilson's energetic drum solo for "Wipe Out" (a sped-up version of his Charter Oak High School drum cadence) helped the song become one of the best-remembered instrumental songs of the period. Drummer Sandy Nelson issued different versions on multiple LPs.
JR's drum fill kicks off Jackson's chart topper "Rock with You", and his drum solo opens the Steve Winwood album Back in the High Life (1986) to begin the number 1 song "Higher Love". [2] Rolling Stone listed JR in 2016 at number 81 in their list of the top 100 "Greatest Drummers of All Time". [3]
They are known for their 1969 recording featuring a song entitled "Color Him Father" on the A-side, and "Amen, Brother" on the B-side. Halfway into "Amen, Brother", there is a drum solo (performed by Gregory C. Coleman) which would cause the release to become the most widely sampled record in the history of electronic music. [1]
A drum lift is a passage in which singing is backed only by the drums and no other music. It is not normally considered a solo, as the primary focus remains on the singing; however, it bears some similarity to a solo. A drum lift may be set or improvised, simple or elaborate, and may vary in length from part of a line to an entire verse.