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"Animate" is a song by Canadian progressive rock band Rush from their 1993 album Counterparts. The song reached number 35 on the Billboard Mainstream Rock chart in 1994, staying on the charts for three weeks. [1] The band's singer and bassist, Geddy Lee, said "I love 'Animate'. I think it’s one of the great songs we've done.
Counterparts is the fifteenth studio album by Canadian rock band Rush, released October 19, 1993, on Anthem Records. [2] [3] After the band finished touring its previous album Roll the Bones (1991) in mid-1992, the members took a break before starting work on a follow-up.
"Force Ten" was released in the United States by Mercury Records as a 12" vinyl one-track promotional single in 1987. [1] It is the opening track of Rush's studio album Hold Your Fire, and the song later appear on compilation albums such as Chronicles, Retrospective II, The Spirit of Radio: Greatest Hits 1974-1987, Gold, Icon, and Sector 3. [10]
"YYZ" was the first of six Rush songs (over three decades) to be nominated for a Grammy in the category of Best Rock Instrumental Performance. [ citation needed ] The song was a live performance staple, having been played on every one of the band's concert tours since its release, except the Roll the Bones Tour .
"Xanadu" is the first Rush song in which synthesizers play an integral part. Unlike the previous albums, 2112 and Caress of Steel, "Xanadu" uses both guitar and synthesizer effects. The song also marks Rush's clear foray into program music, although previous albums had displayed some elements of this. Subsequent albums during the late 1970s and ...
Almost 2 million men and women who served in Iraq or Afghanistan are flooding homeward, profoundly affected by war. Their experiences have been vivid. Dazzling in the ups, terrifying and depressing in the downs. The burning devotion of the small-unit brotherhood, the adrenaline rush of danger, the nagging fear and loneliness, the pride of service.
"Circumstances" is a song by Canadian rock band Rush from its 1978 album Hemispheres. Lyrically, it is an autobiographical account by drummer Neil Peart about the time he spent living in England, and his eventual disillusionment with his then-current occupations.
A scary, sobering look at fatal domestic violence in the United States