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La Vie en rose" was the song that made Piaf internationally famous, its lyrics expressing the joy of finding true love and appealing to those who had endured the hardships of World War II. [8] "La Vie en rose" was released on a 10-inch single in 1947 by Columbia Records, a division of EMI, with "Un refrain courait dans la rue" making the B-side ...
He was particularly well known for his work on the Disney films Cinderella and Alice in Wonderland, and for the mostly-English lyrics [2] [3] [4] through which Édith Piaf's signature song "La Vie en rose" gained much of its familiarity among native speakers of English. David was the elder brother of American lyricist and songwriter Hal David. [1]
" Hymne à l'amour" (French pronunciation: [imn a lamuʁ]); French for "Hymn to Love") is a 1949 French song with lyrics by Édith Piaf and music by Marguerite Monnot. It was first sung by Piaf that year and recorded by her in 1950 for Columbia records. Piaf sang it in the 1951 French musical comedy film Paris chante toujours (Paris still sings ...
Hymn to Love: All Her Greatest Songs in English, original release date: 4 November 1996; Gold Collection, original release date: 9 January 1998; The Rare Piaf 1950–1962 (28 April 1998) La Vie en rose, original release date: 26 January 1999; Montmartre Sur Seine (soundtrack import), original release date: 19 September 2000
La Vie en Rose (literally Life in pink, French pronunciation: [la vi ɑ̃ ʁoz]; [note 1] French: La Môme) [note 2] [7] is a 2007 biographical musical film about the life of French singer Édith Piaf, co-written and directed by Olivier Dahan, and starring Marion Cotillard as Piaf. The UK and US title La Vie en Rose comes from Piaf's signature ...
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Louis Guglielmi (3 April 1916 – 4 April 1991), known by his pen name Louiguy (French pronunciation:), was a Spanish-born French musician of Italian descent. He wrote the melody for Édith Piaf's lyrics of "La Vie en Rose" and the Latin jazz composition "Cerisier rose et pommier blanc", a popular song written in 1950, made famous in English as "Cherry Pink (and Apple Blossom White)", which ...
Another critic, Martin Roberts, wrote that the set "shows la Piaf in all of her many moods which range from extreme happiness to extreme grief, neither of which is vulgarly displayed." [ 2 ] Critic Herbert Kennedy Jr. opined: "There is a distressing uniformity both to the songs and the half-plaintive way they are sung.