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The August Wilson Theatre (formerly the Guild Theatre, ANTA Theatre, and Virginia Theatre) is a Broadway theater at 245 West 52nd Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, the theater was designed by C. Howard Crane and Kenneth Franzheim and was built for the Theatre Guild .
August Wilson (né Frederick August Kittel Jr.; April 27, 1945 – October 2, 2005) was an American playwright. He has been referred to as the "theater's poet of Black America". [ 1 ] He is best known for a series of 10 plays, collectively called The Pittsburgh Cycle (or The Century Cycle ) , which chronicle the experiences and heritage of the ...
Opening night, 1986. August Wilson’s play “Joe Turner’s Come and Gone,” Huntington Theatre Company in Boston. Patti Hartigan, a rising young critic and arts writer, took her seat for the ...
Ma Rainey's Black Bottom is a 1982 play – one of the ten-play Century Cycle by August Wilson – that chronicles the 20th-century African-American experience. The play is set in a recording studio in 1920s Chicago, and deals with issues of race, art, religion, and the historic exploitation of black recording artists by white producers.
August Wilson, the late Pulitzer Prize-winning playwright who chronicled the Black experience in America, gets a stirring biography from Patti Hartigan. Playwright August Wilson was ahead of his time.
August Wilson is a poet of the American stage. In the hands of this remarkable cast and Washington's assured direction, Wilson's work finds its best conduit to the screen yet.
The educational component of True Colors Theatre Company is the August Wilson Monologue Competition, which was begun in 2007 by Kenny Leon and Todd Kreidler, dramaturg to the playwright August Wilson, after his death in 2005. In 2009 the program became a national program exposing high school students across the United States to the works of ...
The Piano Lesson is a 1987 play by American playwright August Wilson.It is the fourth play in Wilson's The Pittsburgh Cycle.Wilson began writing this play by playing with the various answers regarding the possibility of "acquir[ing] a sense of self-worth by denying one's past". [1]