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Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
"Visions", whether from dreams or intoxication, served as raw material and were taken to represent the artist's highest creative potential. In the late 19th and early 20th centuries, Symbolism and Expressionism introduced dream imagery into visual art. Expressionism was also a literary movement, and included the later work of the playwright ...
Symbolist art exalts the idea, the latent, the subjective; it is an externalization of the artist's self, hence their interest in intangible concepts, religion, mythology, fantasy, legend, as well as hermeticism, occultism and even Satanism. According to the critic Roger Marx they were artists who sought to "give form to the dream." [12]
André Masson.Automatic Drawing. (1924). Ink on paper, 9 1 ⁄ 4 × 8 1 ⁄ 8" (23.5 × 20.6 cm). Museum of Modern Art, New York. Surrealist automatism is a method of art-making in which the artist suppresses conscious control over the making process, allowing the unconscious mind to have great sway.
Dreamwork is the exploration of the images and emotions that a dream presents and evokes. It differs from classical dream interpretation in that it does not attempt to establish a unique meaning for the dream.
Chapters are organized by discipline: art, literature, science, sports, medicine, etc. There are long examples of dreams which led to major achievements in each area, but Barrett then draws conclusions about how dreams go about solving problems, what types they are best at, and gives advice on how readers can apply these techniques to their own ...
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The aquatint technique used by Klinger and Goya influenced the style of his works of this period, which are mainly ink and wash drawings of fantastical, often macabre subjects. [1] Kubin produced a small number of oil paintings in the years between 1902 and 1910, but thereafter his output consisted of pen and ink drawings, watercolors, and ...